Posts Tagged “Tape”

Free impulse response samples of the legendary WEM/Watkins Copicat MK3 tape echo. For use with convolutionforgottenkeys_copicat-mk3-200 reverb software.

All seven combinations of the three heads with minimal repeats. If you want pristine digital sound quality, this is not for you!

The impulse response samples are available as a free download.

Visit: Forgotten Keys

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This version is not backward compatible and should be installed seperately to the 1.0.2 release (new plug-in ID is provided therefore). It should not be used in any actual production or performance due to the beta status bootsy_ferrictdsand potential further issues and changes.

Changes in FerricTDS v1.5 public beta

  • Zero latency processing, latency is correctly reported to host now.
  • 100% flat frequency and phase response, allows external dry/wet mixing.
  • Optimized saturation and limiting performance with more relaxed sound.
  • Limiter offers true and accurate brickwall limiting now (in 100% position).
  • ~40% cpu savings (depends on actual board+cpu).
  • Audio crackles while loading and on/off operation fixed.
  • Input level adjustment option added (output volume compensated).
  • TRIM knob range extended to -6/+6 dB.
  • Internal gain staging has slightly changed and output volume performance is not compatible to 1.0.2.
  • New plug-in ID.
  • Known issues:
    • Some stability issues in Cubase SX versions
    • Manual not yet included
    • Presets not yet adjusted

Visit: Variety Of Sound

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Cakewalk is now offering a number of its products free of cost.cakewalk_square_i

Cakewalk products now free

  • Square I Performance Synthesizer – The warmness and classic sound of the vintage analog synthesizers, combined with the fidelity and precision of a VST instrument. A simple synthesizer, oriented to the serious music enthusiast. High quality sound with a warm and easy layout, perfect to learn synth programming: all controls in one panel for instant access, clear and distinctive sections. The built-in effects add depth to the sound and convenience to the sound programming.
  • SFZ+ Professional SoundFont Player – rgc:audio’s revolutionary SoundFont player sample-playback engine, packed in a professional VST/DXi instrument. Outstanding sound quality, stereo built-in effects, adjustable CPU/quality settings to adjust it to your hardware, fully multitimbral operation, multiple stereo outputs, several loading modes and a beautiful interface make sfz+ the perfect choice for SoundFont users and professional composers.
  • Audio FX 1 – Series of four dynamic processor stereo plug-ins: Compressor/Gate, Limiter, Expander/Gate, Dynamics Processor.
  • Audio FX 2 – Vintage guitar amplifiers and analog tape decks.
  • Audio FX 3 – Reverb toolbox allowing full room emulation and more.

Square I and SFZ+ are available as VST instruments for Window PC. The Audio FX bundles are available as DX plug-ins for Windows PC.

Visit: Cakewalk Store

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In the late 60’s composer Steve Reich stumbled across a technique he called homegrown_sounds_phaseshifterphasing, which was to have two identical tape loops that run at slightly different speeds, the result is that every possible combination of sound is cycled through until they arrive back in sync. The result with a melodic piece of music is that it moves through moments of chaos and moments of melody. Brian Eno also used this technique extensively on some of his Ambient albums. After becoming interested in this in 2008, I decided to build myself a simple plugin to emulate the process as it was surprisingly difficult to emulate with any software I had at that time. I have now expanded it to emulate four tape decks and many more features such as time stretching, filters & FX so that it has become a much more capable synthesizer.

Phase Shifter is designed more for playing live, though full VST automation is supported and having an external controller makes the process a much more rewarding experience. It also has a built in recorder so that the output can be recorded directly to disk. It works by loading up to 2 WAVs, and is triggered via a midi keyboard. Middle C will play the WAV at it’s original speed. It has a lot of potential for producing interesting sounds, I would be pleased to hear of the different ways people use it.

Visit: Homegrown Sounds

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Kid Baltan (Dick Raaijmakers) and Tom Dissevelt at Philips “Nat. Lab” 1959, explaining how electronic tape music is made. Broadcast by VARA television on January 17, 1959.

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We’ve cranked up the volume (and destroyed a few Tape Saturation units along the way!) in this monster collection of prime_loops_drum-damageover 1,000+ hand–made, supersized drums for producers looking for a collection that will happily punch you in the face!

But this collection is no joking matter, having suffered multiple levels of abuse in its creation, from analogue tape distortion to relentless bit-crunching, Drum Damage is a unique and powerful sample pack with an attitude; and when unleashed will wreak havoc non-stop, all the way to the clubs.

Drum Damage features

  • 1,000+ Tape Saturated Drum Samples.
  • Includes earth shaking beefy kicks, maximum redux cowbells, ripping crashes, tearing fx, cutting hi-hats, distorted percussions, gutted rides, stomach wrenching snares, bit-crushed sticks and furious shakers.
  • Created from the ground up on countless analogue synthesizers, and then forced through numerous effects units and pedals for a highly original sound that simply cannot be found anywhere else.

Price: GBP 14,95

Visit: Prime Loops

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